Tuesday, October 27, 2009

Round 1 - How to find the RIGHT agent

Apologies for formatting issues...it looks great on my compose AND html screen...not sure why it's so jumbled...will try to fix later today...


I'm going to stick with my college analogy...Looking for an agent is also like looking for a college/graduate school - you don't want to "apply" (read: query) the wrong university for your profession.

I'll get this over with right from the start: self-publishing is pretty much like applying to an unaccredited college. If you have any desire to be published by a major publishing house in the future, self-publishing won't do a thing for your writing career except you happen to have 10,000+ books sold on your own (read: not impossible, but very difficult). If you attend an unaccredited undergraduate institution and then try to apply to a higher degree, it's very difficult to get into a graduate program if they require an accredited undergraduate degree. Nothing against these schools, but it's like my saying I want to attend Lacrosse University (real school) and then apply to NYU's school of medicine. It won't happen. NYU requires an accredited degree. If you don't have those 10,000+ in sales, agents really won't care if you ever self-published. Period. In fact, if you list it as part of your credentials, 9 times out of 10 they're going to assume you didn't do your research on publishing - otherwise, you would have left it out of your credentials. And if you DID get those huge sales, be prepared to support the claim with numbers - not just "I sold a bunch."

Now that I've shooed away the idea of self-publishing (and if I didn't, please e-mail me so I can beat you over the head with a non-self-published book), here's how to find the right agent for your work:

1. Research. Research. Research.
I really can't stress this enough. I hope you wouldn't just apply to any school
under the sun without SOME form of research - you want to know the degree they
offer, courses, tuition, etc. Same with agents. You want to make sure of the
following:
a) Genres: make sure they take your
type of manuscript. Why bother sending a young adult novel to an agent who
reads only non-fiction? When your agent goes to bat for you with several
publishing houses, you want them
to know your market in and out. It's a waste of time to submit a query to
an agent who doesn't even represent - let alone read - your genre. It'd be
like applying for your real estate license if you want to be a doctor.
b) Track history: the number of
sales doesn't always equate to a fantastic agent, but it doesn't hurt to
look. If the agent is well-established, maybe they make only a handful of
sales a year because of other commitments? Where are they selling? Some
"non-legit" agents out there turn around and sell to self-publishing
companies. Why waste your time on someone like that?
c) Clients: look at their clients
and see how many books they've sold. Are most of their clients one-book
people? Do they keep clients over a long period of time?
d) Location: Now with technology
(e-mail, social networking, cool things called planes) it really doesn't
matter if your agent is IN New York City. It may seem glamorous and
possibly be slightly less expensive for them (travel wise) in the long
run, but trust me - it doesn't make an ounce of difference in the quality
of representation. However, do search for an agent in the country YOU want
your manuscript to be published. If you're looking to breakout in the US,
querying that agency over in Russia isn't going to get it done for you
here.

2) Submission Requirements
When you apply to college, you make sure your application packet is perfect: GPA,transcript, letter of recommendation, etc. Same with queries. You have to make sure you follow each and every agency's guidelines. If you leave a part they feel is integral, you risk having your query rejected or worse - never even read.
I totally think it's a pain in the @ss to write a synopsis and throw together one chapter here and three chapters there or nine-and-a-half-pages there.. But then again, if this is the career YOU want, then this is the career YOU will take seriously every single step of the way. Some grad schools require the GRE, others don't. It's all about where you want an in. In the long run, it only helps to follow instructions and proves your dedication and organization as a future client for the agency.

3) Know Your Resources
There's this awesome song from AvenueQ (play) called "The Internet Is Really Really Great". Granted in this instance I'm using it to say how amazing it is that all your sources for publishing and queries (not the item the song states) are at the click of a button. But you have to make sure you use the right ones:
- Publisher's Marketplace: Though this is a
subscription-based service for the most part, you can search agents and
their requirements for free. If you don't find an agent here, it's because
they don't have an account - it doesn't mean they aren't legit.
- Agent Query: You can conduct searches based on genres,
book type and more. Again, just because you can't find an agent on here,
doesn't mean they aren't legit.
- Query Tracker: Though this is
a site more so for people to post their query results, it doesn't hurt to
look up the agent on here to see what they've been up to. Patrick is
really good about keeping up-to-date information on submission
requirements/changes as well as any other key information (agents leaving
agencies, etc)
- Preditors and Editors: Always, please please please,
always look up an agency on here if you're brand spanking new to the
industry. There are several "scam" agencies out there who give the rest of
us a bad name. Know who you query before you shoot the letter out. It'd be
heartbreaking to get an offer of representation only to find it's an agency
that either charges you for their services up front or sells your work to a
self-publisher.


4) When In Doubt, Ask: The Right People
Thanks to blogs, almost everyone can claim to be an expert in anything (myself not included, of course :)). So be sure to do your research before following just anyone's advice. On the same note, don't ask the same questions that you can find answers to that are already out there. FAQs on blogs and message boards can save both yourself and moderator a ton of time. However, if you're still confused, it never hurts to ask again if you've already done your research. Clarification and ignorance are two seperate things.
- Write Water Cooler: Forum
for newbie writers. Not only can you search based on agency and agent, but
they also have sections where you can throw up your query letter for
critiques, find information on publishing in general or ask questions about
the writing process. Several well-established writers have used or still
continue to use this forum.
- Blogs: if there's an agent you particularly enjoy, they may or may not have a
blog with loads of advice. Doesn't hurt to check. Simple Google " blog"
and if there's one, it'll most likely pop up.

***No matter what: do NOT just simply e-mail every agent the same question. While some agents will e-mail you back with advice, I'd say 98% of them will not because they KNOW this information is already all over the Web. If you e-mail them a question (i.e. how do I write a query letter?) that is common, they'll ignore it.

Bottom line: take the time, do the work. If you intend on venturing into the publishing world, there's a certain amount of accountability you have to take for yourself, beginning with the first step. No one will take your or your writing career seriously if you don't take it seriously yourself.

Sunday, October 18, 2009

Dum, dum, dum! Positive Week!

All right! Enough posts on what NOT to do. Let's talk about what TO do.

This may bleed into next week, pending my schedule. The goal: 5 steps to querying, including the following:
- How to search for the RIGHT agent
- How to decide which genre your manuscript falls under
- How to write a good query
- How to write a good synopsis
- How to send these out and deal with the wait.


I got some good ideas coming up...stay tuned! :)

Sunday, October 4, 2009

Rejection...like college?

I'm back and ready for more posts. Was a little under the weather and pretty much just not functioning in general. Caught up with work, so now back to my blog.

This one's going to be quick, since it's Sunday. But rest assured my goal is to throw up a new, informative post every day this week. Also thinking of hosting a contest of some sort by November 1st, so I'll have to hunt down some new followers between now and then...

Rejection.

It sucks. Really, it does.

But it's one of those things you have to take with a grain of salt. I understand that your story is like your child - you created it. You shaped and molded it into what it is now. And the fact that someone rejects it just completely pisses you off. I get it. I do. But it's sort of like college. Thousands and hundreds of thousands of people apply to Ivy-league schools every year. Yet those schools can accept only so many students. They look for the best of the best. It's nothing personal. They just go based on the facts in front of them. They don't care how long you've been trying to get into school. They just care about how well of a student you can be and what you offer to them.

Same with writers/agents. Agents care about what type of manuscript you offer them, how well it's written, and whether or not they can help you become a published author. It's not that they get some type of sick thrill from rejecting you. It's just the business. They don't have the time/energy/resources to represent hundreds and thousands of writers, so they look for the best of the best. The ones that stand out.

Here's my point, for today: how to deal with rejection.

Just because one agent turns you down doesn't mean it's not right for another agent. And if an agent DOES reject you, be nice about it. Don't write them back with some insulting, asinine message about how they turned down a potential New York Times bestseller and throw in several, colorful adjectives about their mom/pet/family (oh trust me, it's happened). Would you do that to a college if they rejected your application? I really hope not.

And once you DO acquire representation, be respectful to the agent. Because we DO network and we DO talk. But that's another post...

I hope that if you really, truly enjoy writing, that you never give up.

And if you need something to curb your anger in the meantime, just focus it on wiping your arse with the rejections, literally. :)


SJ

Thursday, September 3, 2009

Synopsis - if I ask for it, send it. Period.

A little tip.

I don't care HOW suspenseful you think the story is/should be, if an agency requests a synopsis then send one.

I requested the first few chapters and a 3-5 page synopsis. I received the first few chapters and no synopsis. I wrote back and reminded him to send the 3-5 page synopsis.

This is the response I got (more or less): The prologue should serve as a synopsis and must be read with as little information as possible. We need to keep suspense. If you read it you'll see what I mean.

Seriously?

First off, a synopsis is requested so we know how the story ends. This is important, because it shows us three things: you know how the story will end; you have a grip on the outline and plot of your own story; and we know whether or not the ending makes sense with how the rest of the story unfolds. I really don't want to sift through 500+ pages of words if you don't even know how your own story is going to unfold.

Bottom line: if we ask for it, there's a reason.

Slush Junkie

The first step to recovery is admitting you have a problem.

This, I will not do. Why? Because I like slush, and that is not a problem. Some agents may lift an eyebrow or just laugh out loud (trust me, it happens allllll the time), but it's cool.

Slush rules. ::pumps fist::

It's where some (scratch that - all) new authors are discovered. Sure it's a pain in the ass when I get a query where the author has decided to just simply ignore the submission guidelines (because they're the "exception") or not even bother to look them up at all, but in the end it's really fascinating to me the types of stories people pitch (or don't pitch - some queries are just ramblings of an unorganized mind).

I can't guarantee I'll be as resourceful as the amazing Nathan Bransford, as funny and insightful as the witty Colleen Lindsay, as hilarious and brutal as the infamous Janet Reid, or as secretive as the sneaky Editorial Anonymous. I can, however, promise to be entertaining, informative, and up-to-date with my posts and information. I completely admire these three agents and editor, and I hope I can provide information to potential writers out there who are interested in learning more about the difficult and rewarding industry we all know as publishing.

Occasionally I'll throw up a post or two about book reviews, but for the most part this will be a blog for query adivce and other notes on book publishing. Please note: I will not accept queries for consideration through the blog. You don't even know which agency I'm associated with, so you wouldn't be able to query me through here. Do your homework by searching sites such as Publisher's Marketplace, Agent Query, or Query Tracker to find agents who accept your manuscript's genre.

If you have any questions, feel free to e-mail me at slushjunkie@gmail.com . I can't promise an immediate response, but I can promise to respond to you in the *near* future.

Happy reading!

SJ